The price that Steve Albini charges for producing a record can vary depending on the project, the location of the recording, and the length of time needed to complete the project. However, Albini generally charges around $25,000 per project, with additional fees for any extra expenses.
He does not use a flat rate, so it’s best to negotiate with him directly if you are interested in working with him. Additionally, Albini will not produce or record a major label or self-released CD/LP/cassette due to his own principles.
He only takes on projects he believes will benefit the culture or artistic climate of music.
How to record with Steve Albini?
Recording with Steve Albini begins with a few key steps. Firstly, undertake thorough pre-production to make sure that you are prepared with a clear idea of what songs you are going to record, as well as charts and/or lyric sheets.
It also helps to know the type of sound that you are aiming for and to think about what microphones, effects, and instruments you will need to achieve it.
When you are ready to start recording, contact Steve Albini and discuss with him what you are trying to achieve – Albini is known for his openness to working with new bands, so don’t be afraid to ask for his input.
It’s also important to give Albini some time to set up the studio. He needs to come up with a studio plan based on the instrumentation that you’ve provided, where you will tap in the mics, choose the right mic preamps and the perfect desk settings.
When you get to start recording, the first step is to lay down your rhythm parts. You’ll want to make sure that the drummers are in their spots and have the equipment set up to their liking, because Steve Albini wants to get the drums sounding just right.
He will then set about getting the drum tracks recorded first, before moving on to the other instruments.
Once the drums are recorded and all the basic tracking is in place, it’s time to start adding generic effects and shaping the overall sound. This is where the pre-production comes in to play, as this is when you can experiment with different effects, reverbs, and delays to find the perfect sound.
From here, Steve Albini will help with the mixing and mastering of your tracks, to get a professional-sounding result.
By following these guidelines and bearing in mind the importance of pre-production in particular, recording with Steve Albini can be an amazing and creative experience. With his long history of producing great recordings, it’s a good idea to try and take advantage of his expertise and knowledge.
Where is Steve Albini studio?
Steve Albini’s recording studio is located in Chicago, Illinois. It is nestled in the culturally diverse Wicker Park neighborhood. Established in 1995, the main studio is located in an old 1900’s era building at 630 N.
Wilton Avenue. This main studio, known as Electrical Audio, was rebuilt and run by Steve, his wife Heather and a few hard-working associates. Steve’s studio is designed, wired, mic’d and tuned for a range of analog or digitally inspired recordings.
Along with the main studio, there are four isolation rooms which are treated to eliminate exterior noise. The studio also offers quality mastering, an impressive collection of vintage microphones, numerous outboard gear and an extensive collection of rooms, instruments, amps and guitars.
Steve Albini’s studio has had the privilege of recording over 5000 albums for artists such as PJ Harvey, Nirvana, Robert Plant, Refused, Mission of Burma and Wilco.
Does Steve Albini use compression?
Yes, Steve Albini does use compression when recording and mixing music in the studio. During his time as an engineer and producer he has been recognized for his “clean” recordings, which often includes the use of subtle compression to bring out specific elements.
He tends to prefer subtle amounts of compression to color transients and roundness out the overall sound. He has also been known to use more aggressive amounts of compression for heavier and larger mixes.
No matter the desired sonic texture, Albini relies on his unique knowledge of recording and mixing techniques to achieve the desired effect.
Who owns electrical audio?
Electrical Audio is an independent recording studio based in Chicago, Illinois. The studio was founded in 1997 by Steven Albini, a well-known producer, engineer, and musician. Albini is the sole owner of the studio and has sole control of its operations, staff, and assets.
Electrical Audio is known for its analog equipment and discs for recording, mixing, and mastering, as well as its willingness to experiment with cutting-edge technology. Albini has established a team of veteran studio engineers and assistants to work with some of the most renowned artists in the business.
Electrical Audio’s client list includes some of the biggest names in music, such as the Foo Fighters, Nirvana, Wilco, and Pixies. Each project is handled strictly on a per-project basis, with a great amount of care and attention paid to the smallest detail.
The studio has become one of the most sought-after recording studios in the world, and its dedication to quality and personalized service has made it a trendsetter in the recording industry.
Who owns Pachyderm Studios?
Pachyderm Studios is owned by Lacquer Channel Ventures (LCV). LCV is a private investment firm based in Minneapolis, Minnesota that was founded by businessman Paul Ralenkotter. The firm has focused on a diverse range of investments, ranging from infrastructure and media projects to energy and healthcare.
Pachyderm Studios is one of the many businesses and investments that LCV owns. Pachyderm Studios is a historic recording studio that has hosted a wide range of talented artists, including Nirvana, Smashing Pumpkins, Soul Asylum, Sonic Youth, and more.
LCV acquired the studio in 2002, and since then, Pachyderm has gone on to become one of the most sought-after recording studios in the country.
Who owns Touch and Go Records?
Touch and Go Records is an independent record label founded by Corey Rusk and Tes Toff in Detroit, Michigan in late 1979. Originally operating out of Rusk’s basement, the label started out with a focus on punk and hardcore punk music in the early 1980’s, but grew to become a major indie label in the 1990s.
Touch and Go Records has been home to artists such as The Jesus Lizard, Big Black, The Butthole Surfers, and Slint. The label was sold to Quarterstick Records in 2002, and Quarterstick was in turn bought out by Chicago-based label, the Numero Group in 2014.
Today, the Numero Group owns Touch and Go Records and continues to operate the label.
Where was Surfer Rosa recorded?
Surfer Rosa was recorded at Fort Apache Studios in Cambridge, Massachusetts. The studio was built by the Beastie Boys and housed in an old soundstage that had previously been used for TV and radio programs.
Eight days of recording took place in the winter of 1988, with producers Steve Albini and Gary Smith. The band rented a small apartment near the studio while they were recording, and lead singer Black Francis wrote many of the album’s songs during his stay there.
After finishing the basic tracking of the album, Smith mixed the entire album in two days. Additional overdubs and mastering were done in Los Angeles.
Did Steve Albini produce Nirvana?
No, Steve Albini did not produce Nirvana. Nirvana was produced by Butch Vig on their seminal album Nevermind, and by Steve Hague and Scott Litt on subsequent albums In Utero and MTV Unplugged in New York.
Albini did, however, record and mix Nirvana’s song “Rape Me” for their In Utero album. Albini is a legendary producer and audio engineer in his own right, having worked with artists like the Pixies, the Breeders, The Stooges, Bush, and PJ Harvey.
He’s best known for his productions of the groundbreaking post-hardcore albums of the late 1980s and early 1990s.
How much did the Nirvana baby get paid?
The exact amount that the Nirvana baby, Jamie Lee Curtis Aldrige, was paid for her appearance in the iconic Nirvana music video for Smells Like Teen Spirit is unknown. However, rumors circulating at the time of the video’s release claimed that the young girl was paid approximately $500.
The video was released in 1991 and was famously directed by Samuel Bayer and featured a group of teenagers in a high school gymnasium setting. It was an instant success and helped vault Nirvana into superstardom.
While the exact amount that Jamie Lee Curtis Aldrige was paid for her brief appearance in the video is unknown, her family have expressed appreciation for the exposure she got from the video and what it helped her achieve in the future.
How much did the baby sue Nirvana for?
The baby who was the subject of Nirvana’s song “Endless, Nameless” never sued the band. The story behind the song is the result of a joke Kurt Cobain made during a live performance at a music festival in 1991.
During the performance, Cobain joked that he had written a song dedicated to a baby with a lawsuit, causing some confusion and speculation among the crowd. However, it was just a joke and there was never any legal action taken against the band by a baby or anyone else.
Who produced Nirvana’s first album?
Nirvana’s debut album, Bleach, was released in June 1989. It was produced, engineered and mixed by Jack Endino at Reciprocal Recording in Seattle. Endino had previously worked with Nirvana’s drummer, Chad Channing, on the group’s debut single, “Love Buzz”.
Endino was also a fan of the group, having seen them perform at Seattle’s legendary Sub Pop 200 showcase in 1988. By the time the album was recorded in December 1988 and January 1989, Dave Grohl had replaced Channing on drums.
The album was released on an independent Seattle label, Sub Pop, on June 15th, 1989. Bleach was recorded to a limited budget of around $600 and initially sold about 40,000 copies with its original cover featuring a black and white photograph of a house in Aberdeen, Washington.
It has since gone on to sell over 4. 5 million copies, and has been hailed as “the record that brought grunge to the mainstream”.
Who was the first drummer for Nirvana?
The first drummer for Nirvana was Chad Channing, who joined the band in 1988, shortly after they released their first album, “Bleach. ” He mixed punk and hard rock elements with melodic vocal and rhythmic nuances to create a unique sound that came to define Nirvana’s development later.
As the band’s popularity increased, Channing’s work became more and more influential on the creation of the iconic sound Nirvana achieved.
Channing’s tenure with Nirvana didn’t last long, however; in late 1992, after the release of Nevermind, Channing was asked to leave the band. Though his time with the group was short, Channing’s skill and creativity behind the kit helped shape what would become Nirvana’s breakthrough album, and established a foundation for the other members to build on moving forward, helping the band achieve the success they experienced in the early 90s.